by Tony Sweet
©2013 Tony Sweet Photography, Inc.
Being in the arts since winning my first “talent contest” at the age
of 12 as a harmonica player, (believe it or not, I think I still have
the plaque somewhere!), the struggle has always been to set ones self
apart from the crowd by having a unique creative voice. Musician’s,
writers, painters, actors, dancers, photographers, etal, all have the
same dilemma. Only a few true originals come to mind: Miles Davis ( I
can tell if it’s Miles in about one note), Picasso, Mozart, Bill Evans,
there’s more. Photography-wise, there are many great photographers out
there producing mind blowing work, but very few are true originals.
Ansel Adams,
Galen Rowell,
Freeman Patterson,
David Muench,
Pat O’Hara, and
JP Caponigro
are in the “true original” realm. The work of the great many of us can
be traced to being derivative, from one of the aforementioned
photographers (or someone of their ilk).
Now, there is absolutely nothing wrong with being derivative, and
there is always room to grow and eventually evolve into one’s unique
voice. It’s actually a good practice to imitate artists’ styes on the
way to finding one’s own voice, but not a good idea to continue
imitating if you want to break away.
Developing the confidence to let go of the past and move into your own way of doing things is not unlike falling off of a cliff.
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